Wulf's Webden

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29 September 2026
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A little addition to the gig bag…

With a recent offer from Thomann.de, I decided to pick up an HX Stomp. It is a less capable device than my tried and tested Helix LT but it is also substantially smaller. For the large number of settings where I’m playing my bass and only have one or two FX that I’m likely to want to turn on or off (plus a background set to give a baseline to the sound) I think it is going to do well. It got its first outing at the concert band rehearsal tonight and I think it is going to work out well.

Did I mention it was small? I’d assumed it was about twice the size it actually is so that is an extra bonus. I do need to work out what I can trim from my standard LT set up as I don’t have so many blocks to play with and I do need to figure out how to control what I need via the reduced interface but it is early days. I’m not getting rid of the LT but that will be for gigs where I need extra levels of control and connection and where I can be sure of the floor space to fit it in.

28 September 2026
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Catching Up

The reason we had two trips over the Dartford Crossing this weekend was that we were attending an event at the church we used to attend in Lewisham, Hither Green Baptist Church. HGBC was celebrating with Rev Richard Blyth who helped restart the church after it had closed in the late 1980s. He was still there when Jane and I arrived and, by the time he moved on in 2006, I was serving as an elder and was involved in the process that led to the calling of the present minister, Rev Honesty Kachidza.

My contribution to the service was playing bass and I had the privilege of leading a couple of worship songs. I picked one that I’d brought to the church (There is a Voice That Must Be Heard by Paul Oakley) and one I learned there (The Love of God by Frederick Lehman). I’m not sure how much they’ve sung them in the 18 years since I moved on but the congregation joined in with enthusiasm and passion. HGBC has had plenty of challenges over the years, and I think the view of history on Saturday afternoon was somewhat rose-tinted, but they are still a fellowship which loves to worship God and lift Jesus up in sung praises.

We also took the opportunity to do some other visits: one of Jane’s sisters, a school friend of mine that I’ve not seen for a decade or more and a school friend of Jane’s who she hasn’t seen in the flesh for significantly longer. It was a lot of driving to get there and back but certainly worth it.

27 September 2026
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Flash Mob

I’m not sure if this afternoon’s Charnwood Concert Band gig in Queen’s Park (Loughborough) really counts as a “Flashmob” because we were on the bill and some of us were on the stage. However, many of the band started around the edges of the audience so listeners would have heard sound from the front and then unexpected additions around them coalescing into a fuller band lining up in front of the stage.

It certainly seemed to work quite well. I was on tuba for this as my morning engagement at St Theo’s meant I couldn’t guarantee getting back much before the 1:30pm “kick off”, so not time to set up even a small bass rig but it is nice to get that instrument out with bands other than the training band from time to time.

26 September 2026
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Blinding Lights

The worst thing about motorway driving at night is the blinding lights of other cars. Perhaps it isn’t quite true to say they are blinding but a combination of people driving with their headlights on (I imagine so they can see) and the high brightness bulbs many cars have fitted make it very tiring on the eye. Still, at least we made it safely home after our trip back from the south east.

25 September 2026
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The Fender Debacle

Earlier this year, the Fender music company dropped a bombshell. On the basis of a small court case in Germany where the defendant didn’t bother to show up, granting them an undefended win, they slapped cease and desist notices on a number of guitar builders and suppliers. The claim was that the Stratocaster guitar has a unique shape that should be protected by law as a work of art and that the recipients should stop manufacture of similar instruments, destroy their stock, turn over their customer records and, as the cherry on top, pay Fender’s legal costs.

Given that the defendant in the original case was a company based in China and, more importantly, that the strat type design is a beautiful but functional response to the ergonomics of guitar playing which has been widely used for around 75 years without the status of protected art, the widespread response of the guitar community has amounted to “what are they smokin’?”. However, that doesn’t stop the fact that Fender still haven’t called off the dogs or issued anything like an apology and the issue is still ongoing.

When I picked up a five string bass this year, Fender and their subsidiary Squier were off the cards for me. My experience of Fenders is that most of the high price tag is for the name, not the quality, so they were never a contender but I think Squier do good stuff and I still regularly play the Jaguar bass I picked up a few years ago. One person whose decisions are more influential than mine who has also sworn off Fenders is guitarist Tim Pierce. Here is his recent video, talking about the latest update and also giving a perspective from one of his guitar builder friends who is still under the burden of Fender’s bullying tactics:

24 September 2026
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What to plant next?

As harvesting begins to become less frequent, it strikes me that it is quite a while since I sowed anything. I will certainly be putting broad beans out, probably sometime in November, but I ought to have a look through my collection of seeds and see if there is anything else that I should be thinking of getting going, either for the allotment or in the polytunnel (where the tomatoes, through still fruitful, are beginning to wind down).

23 September 2026
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Pay in advance

This weekend I’ll be going over the Dartford Crossing twice so I’ve been looking up how to pay. It was nice to find that it wasn’t as expensive as I’d feared it might have become (in the 20+ years since I think I last used it) and that it seems I can pay in advance so I can set those two journeys up before I go rather than having to remember to sort it afterwards. I guess this means it has switched to ANPR (automatic number plate recognition)… yep, they were removed in 2014 so I’ve definitely not been that way for over 12 years.

22 September 2026
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Tuba in the Park

I found out a couple of weeks ago that the next Charnwood Concert Band outing (at Music in the Park in Queen’s Park, Loughborough on Sunday 27th) requires us to start playing at about 1:30pm… which was the earliest I could get there. That makes electric bass impractical but I’m going to aim to rock up with the tuba where I just have to pull it out of the case, pop in the mouthpiece and I can start playing!

It is going to be a fairly short set so, if you are coming along, join me in trying to arrive by 1:30!

21 September 2026
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Key Bows Again

This afternoon Jane had the same problem her key bow (what I think is the technical term for the bit that doesn’t go into the lock) as I had last November. The original gave way and she was struggling to get in the door. Fortunately I was in and also, because it is a duplicate of my key, I had the 3D model ready to fire up as soon as she had picked the colour she wanted (a metallic “brass” silk PLA). It did feel a bit tight fitting the shank but a quick blast of the plastic with a hot air gun allowed me to press it in flush and then I continued printing to seal it in place.

My one has held up almost a year with no sign of failing yet so this should keep her going a good while yet.

20 September 2026
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Gig Accessories

Yesterday afternoon, I printed off a couple of things in preparation for the evening’s gig. One was a case to hold a single 9V battery. I was going to be playing my Ibanez bass, which needs a battery, but trying to take only minimal stuff with me. I’m cautious about dropping a battery into a gig back pocket unprotected, in case it shorts out on something metal and also because they can easily get lost. The case avoids the risk of shorting out and will make the battery a little more visible without adding significant weight.

Skull and Crossbones

The other was more off a one off adaptation. I wanted to mount some lyric sheets where could see them, next to my iPad. I got a design worked up in black card but it was a bit floppy at the back so I decided to create a brace for the back of it in the shape of a skull and crossbones. First, I asked CoPilot to create me an SVG file but the result was awful. Instead, I found an online image which I traced and simplified in Inkscape as well as moving the skull portion down so it combined with the bones. I added an offset, so I could create a thicker rim, and a hole to fix it to the stand. I’m not sure this will be quite so universally useful but it did the job last night and was a good exercise in designing something decorative and function in a short time frame (no point doing a more elegant design and running out of time to print it).