Here’s that song I recorded quickly last week, published today after making its debut in yesterday’s online service:
Monday 31 January 2022
by Wulf
Comments Off on The King of Love
Monday 31 January 2022
by Wulf
Comments Off on The King of Love
Here’s that song I recorded quickly last week, published today after making its debut in yesterday’s online service:
Sunday 30 January 2022
by Wulf
Comments Off on Keys debut survived
I went ahead with my debut live performance on keys at church this morning. I have to say that it’s quite nice just rocking up without lugging a load of gear, sitting down for the whole service and then only … Continue reading
Wednesday 16 June 2021
by Wulf
Comments Off on Blackbird Singing
Today I enjoyed a blackbird singing, not in the dead of night but in the middle of the afternoon. What made it so special is that I was rehearsing some songs for Sunday morning in a friend’s garden and the … Continue reading
Saturday 24 April 2021
by Wulf
Comments Off on What a Joy!
What a joy to lead some live worship last night. I am so much looking forward to this becoming a more regular thing again. I also enjoyed having the liberty to take a fairly spontaneous path through a large collection … Continue reading
Friday 23 April 2021
by Wulf
Comments Off on Live Music at Last
Opportunities for live music have been in short supply for a long time. I’ve played a couple of songs in Zoom-based services we did for Ash Wednesday and Easter but otherwise, it has all been practise and recording since the … Continue reading
Thursday 8 April 2021
by Wulf
Comments Off on Right(-on) Herbert
Apologies for the title to Nick Herbert, who hosted a song-writing workshop for Spring Harvest this afternoon. Nick is a prolific writer of worship songs and favours collaborative approaches. Pick a popular modern worship song with a list of authors … Continue reading
Sunday 21 February 2021
by Wulf
Comments Off on I Call To Mind
Here’s a song that Jane wrote and I helped with, which we included in last week’s Sunday service: My main contributions were the funny chord at the end of each repeat (Em11b9) and the Picardy third to lift from minor … Continue reading